Times are in Irish-UK timezone.
Friday 4th March | |
1.30-2.00 | log in and welcome remarks |
2-2.20 | Rachel Moss, ‘Devotion, commotion, and locomotion: The post-Reformation reinvention of the Insular landscape’ |
2.20-2.40 | Ana Dolan, ‘Tuam Market Cross. ‘the very symbol of the division of Christians in the community’ |
2.40-2.50 | Discussion |
2.50-3.00 | break |
3-3.20 | Adrián Maldonado, ‘Art after the Picts: thoughts on the stone sculpture of Alba’ |
3.20-3.40 | David Caldwell, ‘Insular motifs and traditions in late medieval monumental sculpture in the West Highlands and Islands’ |
3.40-3.50 | Discussion |
3.50-4.00 | break |
4:00-4:30 | Roundtable discussion: New landscapes: monuments, place and permanence |
4.40-5:00 | Alice Blackwell, TBC |
5:00-5:20 | Ó Floinn, Raghnall: ‘Late medieval metalworking in 15th and 16th century Gaelic Ireland and Scotland’ |
5:20-5:30 | Discussion |
Saturday 5th March | |
12.45- 1. | Login in and welcome |
1.-1.20 | Griffin Murray,: ‘Early Irish and Scottish Crosiers in the Later and Post-Medieval Periods: Relics and Reliquaries’ |
1.20-1.40 | Paul Mullarkey, ‘Irish medieval book shrines: repairs, recycling and restorations’ |
1.40-1.50 | Discussion |
1.50-1:55 | break |
1:55-2:25 | Roundtable discussion: Heirlooms and heritage: broken, mended and gifted |
2:25-230 | break |
2:30-2:50 | Cormac Bourke, ‘On Insular bells and shrines’ |
2:50-3:10 | Pádraig Ó Macháin, ‘Scribe and limner in the late-medieval Gaelic manuscript tradition’ |
3:10-3:20 | Discussion |
3:20-3:30 | break |
3:30-3:50 | Carol Neuman de Vegvar, ‘A Leg (or Two) to Stand On: Rethinking the Drinking Horn’ |
3:50-4:10 | Tara Kelly, ‘Reproduction of the Hunterston Brooch in Scotland and Ireland, c. 1850-1900’ |
4:10-4:20 | Discussion |
4:20-4:25 | break |
4:25-4:45 | Murdo Macdonald, ‘A basis for Celtic revival art in Scotland’ |
4:45-5:05 | Heather Pulliam ‘Celtic revival painting in Scotland, Authenticity and identity |
5:05-5:15 | Discussion |
5:15-5:25 | break |
5:25-5:55 | Roundtable Discussion: Imitation and authenticity: claiming the past |